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Live is the result of musicians wanting a better way to create, produce and perform music using a computer. A great deal of effort has been put into making Live easy and fun to use, yet at the same time capable of helping you create music with unlimited depth and sophistication.
This effort continues even as you read these lines Please check your ableton. It is possible to change the selection of automation and take lane headers using the up and down arrow keys. The lane header selection can also be extended using Shift and the up and down arrow keys.
When using the Zoom to Time Selection command in the Arrangement, Live now only zooms horizontally at first. When using the command a second time without changing the time selection , Live then zooms vertically as well. Upon using the command a third time, the Arrangement returns to the first vertical zoom state.
You can use the left arrow key to navigate from an automation lane or take lane to the main track, this will fold the lanes as well. You can also use the left arrow key to navigate from tracks in a group to the main Group Track. You can solo tracks with the S key and arm tracks with the C key when take lane headers or automation lane headers are selected.
A Templates label see 5. A Grooves label see Chapter 13 has also been added. Devices in the Audio Effects label are now grouped into folders. When viewing and expanding Live Sets in the browser, you will see a new Devices icon for device chains on a track that contain at least one device. In the first captured MIDI clip in an empty set with the transport stopped , if the detected loop is eight bars or less, the first played note is considered the start of the loop.
When only one note is played in the first captured MIDI clip in an empty set with the transport stopped , the loop boundaries are set to the note start and end, and the tempo is accordingly calculated, resulting in a one, two, four, or eight bar loop.
This is particularly useful when playing a rhythmical sample with a single MIDI note. Clip View properties see 8. Clip View properties can also be arranged automatically, which switches between the horizontal and vertical views depending on the height of the Clip View area.
The Reverse and Edit buttons are now positioned next to each other. When multiple audio clips with different Clip Gain values are selected, the value range is shown with split triangle handles on the Clip Gain slider.
Introduced comping see Chapter 18 in the Arrangement View. Comping makes it possible to pick the best moments of each recorded performance, and combine them into a composite track. You can record multiple takes of a musical performance without stopping recording.
Live will then create and organize individual takes from this recorded material, allowing you to piece your favorite parts together. You can also drag samples from your library and use comping as a creative sample-chopping tool. The CPU meter see Alternatively, the CPU meter can also be switched off entirely.
By default, Live will not display the Current level; it must be enabled from the drop-down menu of the meter. Hybrid Reverb see Spectral Time see Spectral Resonator see Chorus-Ensemble see Phaser-Flanger see Shifter see Redux see Align Delay see Shaper MIDI see Updated the appearance of the UI in the Tension see Sampler and Simpler now support MPE.
The number of visible Macro Controls in Instrument Racks can now be controlled from a Max for Live device or a control surface. The Cytomic Filters, which are used in the Wavetable, Echo, Simpler, Sampler, Operator, and Auto Filter devices, have been updated and improved in stability, sound and performance. As of An update to the Softtube libraries may cause subtle sound changes in the Amp and Cabinet audio effects.
Follow Actions can now be assigned to scenes via the new Scene View. Clip Follow Actions will continue to run when a scene Follow Action is created or scheduled, however scene Follow Actions take precedence when triggered. This button is disabled by default, and can be toggled using the Shift - Enter keyboard shortcut. When disabled, no Follow Actions will occur in the Live Set.
These values can be modified using a new slider control. The Follow Action Chance slider now displays a split triangle instead of just a black bar when it is showing multiple different values. This palette makes clips and tracks easier to tell apart with a deuteranopia, protanopia or tritanopia color vision deficiency. Added an Arm Track command to the Edit menu.
If multiple tracks are selected, the command appears as Arm Tracks. If the selected track is armed, the command is replaced with Disarm Track. It is now possible to arm selected tracks using the C shortcut key.
The Groove Pool now opens automatically when loading a groove file from the browser by double-clicking or pressing the Enter key, adding a groove to the Groove Pool, or extracting grooves. You can use the left and right arrow keys to navigate radio buttons anywhere in Live.
If you are navigating radio buttons on a device that is inside of a Rack with the left and right arrow keys, you can get back to moving between devices in the Rack using the left and right arrow keys by hitting the ESC key. In Session and Arrangement View, the Monitor radio buttons now have a default state that can be restored. This option is also accessible via the Edit menu option Return to Default.
When enabled, certain MIDI control message types that are not automated for a given clip will automatically reset at the start of a new clip. Added support for keyboard shortcuts on French keyboard layouts for macOS versions Keyboard shortcuts that have numbers can be accessed without having to press Shift to access the number keys. Introduced linked-track editing see 6.
Linked-track editing makes it possible to use comping workflows and other phase-locked editing operations on multiple tracks at once. Any tracks in the Arrangement View can now be linked so that their content can be edited simultaneously.
There can be multiple instances of linked tracks in a Set, however each track can only belong to one of these instances. The Expression Control device now allows assigning an additional parameter as a mapping target. All Max for Live devices have been moved inside the application bundle previously, they lived in the Core Library , to ensure that using Collect All and Save will not create redundant copies of the devices.
When Max fails to load, an error message will be displayed that contains a link to a Knowledge Base article that explains potential causes for the issue and steps to take to resolve it. A new Scale Mode see 8. By default, key tracks belonging to the selected scale are highlighted in the MIDI Note Editor, and the root note is indicated by a prominent highlight in the piano roll.
A new Chance Editor see It is now possible to see and edit a velocity range, from which a velocity value is selected when a note is played. In the Notes tab, a Velocity Range slider see If no markers are selected, values for all notes will be randomized. The Velocity and Chance Editor lanes can be shown or hidden via the lane selector toggle buttons at the left. When enabled, drawing MIDI notes is constrained to one single key track or pitch at a time, while holding the ALT key allows freehand melodic drawing.
The lowest dot in a meter lights up in a blue color if per-note controller changes pass that meter. The new Focus button enables Focus Mode see Focus Mode can be toggled via the N keyboard shortcut. The Invert button is now enabled in the Notes tab when at least one note is selected, and it is possible to invert selected notes from multiple clips at the same time.
Time selection interactions, note selection interactions, and new note editing options have been added to multi-clip editing. Also some parameters for Hybrid Reverb have been rearranged for easier navigation. Push 2 and MIDI controllers sending polyphonic aftertouch can be used with plug-in devices that support polyphonic aftertouch.
When a Rack contains a parameter mapped to one of the new Macro Controls e. Degree symbol icons Push 1 or bullet point icons Push 2 are used to differentiate the Rack from the device. Updated the notification style for scenes, and updated the scene name visualization to include the absolute position, tempo and time signature on Push.
The maximum number of available Macro Controls see Pressing the Rand button in the title bar of a Rack randomizes the values of mapped Macro Controls. Selecting a scene or multiple scenes opens the new Scene View see 7.
Clicking this entry cancels the launch of any previously triggered scene. Once it is downloaded, the Status Bar will state that Live must be restarted in order to apply the update. To avoid incompatibilities, you will be asked to save Live Sets created with an older version of Live as a new file in Live Introduced Tempo Follower see An Input Channel Ext.
In chooser allows choosing the channel from which the tempo will be tracked, and displays a level meter for each channel.
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